education
1979 | MFA, Sculpture, Otis Art Institute, Los Angeles, CA |
1976 | BFA, Sculpture, University of Illinois, Champaign-Urbana, IL |
awards
2024 | Tree of Life Individual Artist Grant |
2023 | Distinguished Legacy Award, College of Fine & Applied Arts, University of Illinois at Urbana-Champaign |
2019 | ISC Outstanding Educator Award, International Sculpture Center |
2016 | John Simon Guggenheim Memorial Foundation Fellowship |
2007 | City of Los Angeles Individual Artist Fellowship (COLA) |
1996 | J.Paul Getty Trust Fund for the Visual Arts, California Community Foundation |
1994 | Residency, Roswell Artist-in-Residence Program, Roswell, NM |
1993 | Art Matters Inc., New York, Individual Fellowship |
1986 | National Endowment for the Arts, Individual Fellowship, Sculpture |
solo and two-person exhibitions
2021 | Coleen Sterritt: STRUCTURE, Museum of Art & History, Lancaster, CA |
2020 | Evenso: Katy Crowe & Coleen Sterritt, L.A. Harbor College Fine Art Gallery, Wilmington, CA |
2016 | Coleen Sterritt, Selected Works: 2011-2016, Museum of Art & History, Lancaster, CA. Monograph published Sept. 2018 |
2013 | Torque, another year in L.A., Los Angeles, CA |
2011 | Rehab, L.A. Harbor College Fine Arts Gallery, Wilmington, CA |
Blue Patina & a little cluster of love, PØST, Los Angeles, CA | |
2009 | Between, CSU Stanislaus, University Art Gallery, Turlock, CA. Catalog |
2006 | d.e.n. contemporary art, Culver City, CA |
Stuck to the World, Riverside Art Museum, Riverside, CA. Catalog | |
2002 | Squeezebox, Storage, Santa Monica Airport, Santa Monica, CA |
2021 | eiptome-n. Katy Crowe & Coleen Sterritt, L.A. Harbor College Fine Art Gallery, Wilmington, CA |
1997 | Abstractionists: Katy Crowe & Coleen Sterritt, SITE, Los Angeles, CA |
1996 | LASCA Gallery, Los Angeles, CA |
Up, The Claremont Graduate University, Claremont, CA | |
1990 | Coleen Sterritt, California State University, Los Angeles, Fine Arts Gallery |
1988 | The King & I, Santa Monica City College, Santa Monica, CA |
1987 | Seaver College Art Gallery, Pepperdine University, Malibu, CA |
1986 | Karl Bornstein Gallery, Santa Monica, CA |
1984 | Karl Bornstein Gallery, Santa Monica, CA |
1983 | Mark Quint Gallery, San Diego, CA |
1982 | Ulrike Kantor Gallery, Los Angeles, CA |
1981 | Mark Quint Gallery, San Diego, CA |
selected group exhibitions
2023 | O Horizon: Art of the Forest Floor, Stuart Haaga Gallery, Descanso Gardens, La Canada Flintridge, CA, curated by Carole Ann Klonarides |
Alla Prima, @Carole Parker, Altadena, CA | |
2022 | Symbiosis, Berkshire Botanical Garden, Stockbridge, MA |
Where We Are Now, Traywick Contemporary, Berkeley, CA | |
Material World, Goat, Landers, CA | |
You’ve Always Been Wrong: Katy Crowe, Ron Linden, Coleen Sterritt, King Studio, Venice, CA |
|
Cup Show, Space Ten, Hawthorne, CA | |
2021 | New. Recent., Traywick Contemporary, Berkeley, CA |
BODIES, T.A.L. (The Art Look), Hawthorne, CA | |
2020 | Small is Beautiful, Irvine Fine Art Center, Irvine, CA |
2019 | Crosscurrent, Tokyo Metropolitan Art Museum, Tokyo, Japan |
2018 | Practice & Pedagogy, Long Beach Museum X, Long Beach, CA |
Phantom Lim, Torrance Art Museum, Torrance, CA | |
Coterie, Custom Cabinets, Los Angeles, CA | |
Re:Interation, Los Angeles World Airports Art Program, LAX Terminal 1 | |
2017 | Khôra, Mt. San Antonio College Art Gallery, Walnut, CA, Catalog |
The Only Way Out is In, Citrus College Art Gallery, Glendora, CA, Catalog | |
2016 | Urbanature, Art Center College of Design, Pasadena, CA |
2014 | LA Wood Show, Arena 1 Gallery, Santa Monica, CA |
6018 Wilshire, Edward Cella Art & Architecture, Los Angeles, CA | |
The Evidence Project, Ciara Struwig, Johannesburg, South Africa | |
2013 | From the Desert, Hudson/Linc, Los Angeles, CA |
Decomposition, Curators Lab, Fellows of Contemporary Art, Los Angeles, CA, Catalog | |
2012 | SCULPTURE (California), another year in L.A., Los Angeles, CA |
2011 | DECADE+, Gallery 478, San Pedro, CA |
Urbanature, online exhibition, www.timesquotidian.com | |
2009 | GraceBeautyFortitude, Sophia Louisa Projects with Phantom Galleries LA, Los Angeles, CA |
New Digs, d.e.n. contemporary, Culver City, CA | |
Connections, Overtones, Los Angeles, CA | |
2008 | Looky See, Ben Maltz Gallery, Otis College of Art & Design, Los Angeles, CA |
Ripe, d.e.n. contemporary art, Culver City, CA | |
Sum of Parts, dba256, Pomona, CA | |
L.A.— A Survey of Art from Los Angeles, Center for Contemporary Art, Sacramento, CA | |
2007 | Themes & Variations: New Abstraction in Los Angeles, Torrance Art Museum, Torrance, CA |
COLA: Individual Artist Fellowships, LA Municipal Art Gallery, Los Angeles, CA | |
P. Suasion, Warschaw Gallery, San Pedro, CA | |
Beyond A Gift of Time, Roswell Museum of Art, Roswell, NM, Catalog | |
2006 | Draw, Paper, Scissors, domestic setting, Los Angeles, CA |
Otis: Nine Decades of Los Angeles Art, LA Municipal Art Gallery,Los Angeles, CA | |
2005 | Group, Carl Berg Gallery, Los Angeles, CA |
2004 | Mark Making, Schneider Museum of Art, So. Oregon University, Ashland, OR |
2002 | Recent Sculpture: Marvell, Sterritt, Walker, L.A. Artcore, Los Angeles, CA |
Curio, Andrew-Shire Gallery, Los Angeles, CA | |
Emergent Behavior, Brewery Project, Los Angeles, CA | |
From Sculpture, Irvine Fine Arts Center, Irvine, CA | |
2000 | The Group Show, Andrew-Shire Gallery, Los Angeles, CA |
Eccentric Visions, Hunsaker/ Schlesinger Gallery, Santa Monica, CA | |
1999 | Drawing the Line, Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA |
The Last Spring, Dirt Gallery, Los Angeles, CA | |
1998 | Sculpture Project, College of Santa Fe, Santa Fe, NM |
L.A. New Art, University of Madrid, Sala de Bellas Artes, Madrid, Spain | |
1997 | L.A. Art Now: Arte Actual de Los Angeles, Universidad Castilla–La Mancha, Cuenca, Spain |
1996 | The Empowered Object, Hunsacker/Schlesinger Gallery, Santa Monica, CA |
Drawn From L.A., Armory Center for the Arts, Pasadena, CA | |
Living With Art, Andrew Shire Gallery, Los Angeles, CA | |
Sexy: Sensual Abstraction in California, 1950s–1990s, Armory Center for the Arts, Pasadena, CA (traveling exhibition) | |
The Cup and the Teapot: The Extraordinary Diversity of a Simple Form, The Clark Humanities Museum, Scripps College, Claremont, CA | |
1995 | L.A. Abstracts: Drawings, Schick Art Gallery, Skidmore College, Saratoga Springs, NY |
Sexy: Sensual Abstraction in California, 1950s–1990s, Contemporary Artists Collective/Temporary Contemporary, Las Vegas, NV | |
1994 | Five Artists: Work in Progress, Roswell Museum, Roswell, NM |
1991 | Selections from the Permanent Collection: 1975-91, Museum of Contemporary Art, Los Angeles, CA |
1990 | Natural Forces in Los Angeles Sculpture, Los Angeles Municipal Art Galleries at Barnsdall Park, Los Angeles, CA |
1989 | Coates Collection, Long Beach Museum of Art, Long Beach, CA |
Experience-Reordered: L.A.Abstractionists, Allport Gallery, San Francisco CA | |
1988 | Raw Grace, Art Gallery, Otis Art Institute of Parsons School of Design, Los Angeles, CA |
1987 | On the Horizon: Emerging in California, Fresno Art Center and Museum, Fresno, CA |
1986 | Recent Works: Five Artists, Guggenheim Gallery Chapman College, Orange, CA |
1985 | Off the Street, Old City Print Shop, Los Angeles, CA |
An American Album, Focus International: American Women in Art, United Nations World Conference on Women, Nairobi, Kenya | |
1984 | A Broad Spectrum: Contemporary Los Angeles Painters and Sculptors, Design Center of Los Angeles, Los Angeles, CA |
Table Top Sculptures: Studies for Large Scale Works, Mattingly-Baker Gallery, Dallas, TX | |
The Cotton Exchange Show, Los Angeles Contemporary Exhibitions(LACE), Los Angeles, CA | |
Critics Choice: Downtown Artists, curated by Joan Hugo, TransAmerica-Occidental, Los Angeles, CA | |
1983 | Downtown L.A.: Between the Freeways, Palm Springs Desert Museum, Palm Springs, CA (national traveling exhibition) |
Dealers’ Choice, Eaton/Shoen Gallery, San Francisco, CA | |
Miles Above: 19 Return to Otis-Parsons, curated by Miles Forst, Otis Art Institute of Parsons School of Design, Los Angeles, CA | |
Flatworks: Non-Three Dimensional Works by Sculptors, Washington Project for the Arts (WPA), Washington, D.C. | |
1982 | The New Art of Downtown Los Angeles, Illinois State University, Normal, IL; Madison Art Center, Madison, WI (traveling exhibition) |
Estuary Channel Sculpture Project, 12th International Sculpture Conference, Oakland Museum, Oakland, CA | |
Small Scale Sculpture: David Bower and Coleen Sterritt, Fine Arts Gallery, University of Las Vegas, Las Vegas, NV | |
1981 | Young Turks, Downtown Gallery/Ron Salgado Fine Arts, Los Angeles, CA |
Gallery Artists, Ulrike Kantor Gallery, Los Angeles, CA | |
Drawing: Personal Definitions, San Diego State University, San Diego, CA | |
Southern California Artists, curated by Barbara Haskell, Los Angeles Institute of Contemporary Art (LAICA), Los Angeles, CA | |
1980 | Sculpture: Proposals for Downtown Los Angeles, Kirk deGooyer Gallery, Los Angeles, CA |
Downtown L.A. in Santa Barbara, Santa Barbara Museum of Art, Santa Barbara, CA | |
Installation, Downtown Window Site, Los Angeles Institute of Contemporary Art (LAICA), Los Angeles, CA | |
In-Sites, The Women’s Building, Los Angeles, CA | |
1979 | Six Downtown Sculptors, Los Angeles Contemporary Exhibitions (LACE), Los Angeles, CA |
Sculpture Invitational, Ralph M. Parsons Engineering Co., Pasadena, CA |
public and corporate collections
Anderson Museum of Contemporary Art, Roswell, NM |
Carnation Company, Los Angeles, CA |
Capitol Group Companies, Los Angeles, New York, London |
Crocker Art Museum, Sacramento, CA |
Los Angeles County Museum of Art, Los Angeles, CA |
Museum of Art & History, Lancaster, CA |
Museum of Contemporary Art, Los Angeles, CA |
Scripps College Collection, Claremont, CA |
exhibition catalogs, brochures and books
Ayres, Anne, “As the Clock Ticks”, Charting New Currents, Celebrating Ten Years of Grantmaking by the California Community Foundation, J.Paul Getty Trust Fund for the Visual Arts, 1998 |
Canty, Scott, “Coleen Sterritt: COLA ’07 Inliidual Artists Fellowships”, Dept. of Cultural Affairs, City of Los Angeles, 2007 |
Childs, Carrie, “Coleen Sterritt: Up”, Claremont Graduate University, 1996 |
Couzens, Julia, “Stuck to the World”, Riverside Art Museum, 2006 |
FitzGibbon, John and Pierre Picot, “Sexy: Sensual Abstraction in California Art 1950's-1990’s”, Armory Center for the Arts, Pasadena, CA, 1996 |
Frauchiger, Fritz, “Off the Street”, Old City Print Shop, Los Angeles, 1985 |
Hertz, Richard, The Beat and the Buzz: Inside the L.A. Art World, Minniola Press, 2009 |
Hugo, Joan, “Critics Choice: Coleen Sterritt”, TransAmerica Center, Los Angeles, 1984 |
Hugo, Joan, “Coleen Sterritt: Sculpture”, Cal State University Los Angeles, 1990 |
Isenberg, Barbara, “Otis-L.A., Nine Decades of Los Angeles Art”, 2006 |
Klonarides, Carole Ann, et al, Coleen Sterritt: 1977–2017, Griffith Moon Publishing, Santa Monica, CA 2018 |
Kienholz, Lyn, L.A. Rising: SoCal Artists Before 1980, The California/International Arts Foundation, 2010 |
Korten, Noel, “Natural Forces in Los Angeles Sculpture”, LA Municipal Art Gallery at Barnsdall Park, 1990 |
Krumpak, Tom, “Restless Voices: Abstraction from Los Angeles”, Skidmore College, Saratoga Springs, NY, 1995 |
Lillo, Jose Maria, “LA New Art / Arte Actual en Los Angeles”, Universidad Castilla-La Mancha, Cuenca, Spain, 1997 |
Mallinson, Constance, "Small is Beautiful", Irvine Fine Art Center, Irvine, CA |
Mallinson, Constance, “Decomposition”, Fellows of Contemporary Art, Curators Lab, 2013 |
Mallinson, Constance, “Coleen Sterritt- Between”, CSU Stanislaus, University Art Gallery, 2009 |
Miles, Christopher, Khôra, Mt. San Antonio College Gallery, Griffith Moon Publishing, Santa Monica, CA 2017 |
Rubinstein, Charlotte Streifer, American Women Sculptors: A History of Women Working in Three Dimension, G.K. Hall and Co., Boston, 1990 |
Wood, Eve, “The Only Way Out Is In”, Citrus College, 2017 |
publications/selected reviews
2019 | Whitney, Kay, “Unpredictable Beauty: A Conversation with Coleen Sterritt,” Sculpture, September/October, 2019 |
2017 | Gipe, Larry, Khôra at Mt. San Antonio College Art Gallery, www.artandcakela.com, October 20, 2017 |
Whitney, Kay, “Coleen Sterritt: Rotation of Facts,” Sculpture, June 2017 | |
2013 | Pagel, David, “Coleen Sterritt's 'Torque' rebels subtle ways,” Los Angeles Times, December 20, 2017 |
2012 | Frank, Peter, “Coming Out, Going In- Sculpture (California) at Another Year in LA,” Fabrick, issue 17 |
2011 | Frank, Peter, "Haiku Review," www.huffingtonpost.com |
Mallinson, Constance, “Urbanature”, www.timesquotidian.com, January 1, 2011 | |
2007 | Frank, Peter, "Themes & Variations at the Torrance Museum," Artweek, November 2007 |
Mallinson, Constance, “Coleen Sterritt at d.e.n. contemporary,” Art in America, March 2007 | |
Satorius, Katherine, “Coleen Sterritt at d.e.n. contemporary,” Artweek, February 2007 | |
2006 | Frank, Peter, “Pick of the Week,” L.A. Weekly, December 13, 2006 |
2000 | Cooper, Jacqueline, “Report from the Trenches: Teaching Fine Art at the Community College,” New Art Examiner, February 2000 |
1998 | Allen, Jane Ingram, “Inspiration and Renewal: Residencies for Sculptors,” Sculpture, February 1998 |
1996 | Reed, Michal, “Coleen Sterritt at LASCA,” Artweek, December 1996 |
1990 | Frank, Peter, “Pick of the Week,” L.A. Weekly, October 18, 1990 |
1988 | Donohue, Marlena, “Sculpture Taking Its Lyrical Ease Beyond Gender in ‘Raw Grace’,” Los Angeles Times, August 13, 1988 |
Frank, Peter, “Pick of the Week,” L.A. Weekly, August 11< | |
Frank, Peter, “L.A. Art Seen,” L.A. Weekly, January 29 | |
1986 | Clothier, Peter, “L.A. Art Seen,” L.A. Weekly, January 31, 1986 |
Gardner, Colin, “The Galleries”, Los Angeles Times, January 24, 1986 | |
1984 | Gardner, Colin, “Art Throughout the City: Coleen Sterritt,” L.A. Reader, October 1984 |
Hammond, Pamela, “Coleen Sterritt: New Expressionism,” Images & Issues, March–April 1984 | |
Pincus, Robert, “The Galleries,” Los Angeles Times, June 15, 1984 | |
Wolf, Leslie, “L.A Art Seen,” L.A. Weekly, June 22, 1984 | |
1983 | Ballatore, Sandy, “The Psychological Tightrope: 1982”, Images & Issues, Jan.-Feb. 1983 |
Curtis, Cathy, “Up from the South,” Artweek, May 28, 1983 | |
Lugo, Mark, “Nairobi 95: Sculpture by Coleen Sterritt,” San Diego Tribune, September 9, 1983 | |
1982 | Drohojowska, Hunter, “Pick of the Week,” L.A. Weekly, January 29, 1982 |
Drohojowska, Hunter, “Young Turks,” Art Forum, February 1982 | |
Hugo, Joan, “Ambiguous Presences," Artweek, February 6, 1982 | |
Wilson, William, “The Galleries,” Los Angeles Times, January 22, 1982 | |
1981 | Drohojowska, Hunter, “Urban Art,” L.A. Weekly, May 22, 1982 |
Drohojowska, Hunter, “Young Turks”, High Performance, Fall 1981 | |
Sutter, Esther, “Mammut, Eine USA Reise,” Kunst Bulletin, Switzerland | |
Wilson, William, “Toward a Definition of Post-Modernism”, Los Angeles Times, 1981 | |
1980 | Drohojowska, Hunter, “Pick of the Week," L.A. Weekly, December 19, 1980 |
Knight, Christopher, “When Sculpture Goes Public,” Los Angeles Herald Examiner, December 14, 1980 | |
McCloud, Mac, “On Site,” Artweek, March 8, 1980 | |
1979 | Hugo, Joan, “Six Downtown Sculptors,” Artweek, April 21, 1979 |
Munchnic, Suzanne, "New York Painter, L.A. Sculptors," Los Angeles Times, April 23, 1979 |
related professional activities
Juror, ISC Outstanding Educator Award, International Sculpture Center, 2020-2023 |
Curator, Root Cause, Long Beach City College Art Gallery, 2019 |
Curator, Coterie, Custom Cabinets, Los Angeles, 2018 |
Salon Conversation COLA/20, LA Municipal Art Gallery, Los Angeles, CA, 2017 |
Panel Discussion, The Only Way Out Is In, Citrus College Art Gallery, Glendora, CA, 2017 |
Juror, Roswell Art-in-Residence Program, Roswell, NM, 2016 |
Juror, California Sculpture Slam, San Luis Obispo Museum, 2013 |
Curator, Materiality, PØST, 2011 |
Point-of-view-Talk: Coleen Sterritt Discusses the Work of Tim Hawkinson, J. Paul Getty Museum at the Getty Center, 2007 |
Juror, J. Paul Getty Trust Fund for the Visual Arts, Artist Fellowships, 1993 |
Los Angeles Contemporary Exhibitions (LACE), Board of Directors 1986-92, Chair 1991-92,Treasurer 1988-90 |
Performed in Spalding Gray’s Map of L.A., a film by Bruce & Norman Yonemoto, 1984 |
College Art Association |
International Sculpture Center |
visiting artist lectures
Art Center College of Design, Pasadena, CA |
Arizona State University, Tempe, AZ |
California State University, Fullerton, CA |
California State University, Long Beach, CA |
Claremont Graduate University, Claremont, CA |
Fellows of Contemporary Art, Los Angeles, CA |
Otis College of Art & Design, Los Angeles, CA |
Pasadena City College, Pasadena, CA |
Pepperdine University, Malibu, CA |
Santa Monica College |
The J. Paul Getty Museum at the Getty Center |
University of California, Irvine |
University of California, Los Angeles |
University of California, Riverside |
University of Southern California |
academic positions
1996–2021 | Long Beach City College, Professor, Sculpture Program Coordinator. Awarded full-year Sabbatical Leave: 2004–05, 2011–12, 2018–19 |
1988–2000 | The Claremont Graduate University, Adjunct Professor Sabbatical Replacement, Core Faculty, (1990–91, 1993–94) |
1987–1993 | Otis College of Art & Design, Adjunct Faculty, Sculpture Program |
1989 | University of Southern California, Adjunct Faculty |
1994–1998 | College of the Canyons, Adjunct Faculty |
1990 | California State University, Long Beach, Collaborative Workshop: Dance Majors /Art Majors, with Lucinda Childs, Margit Omar, Coleen Sterritt |
1987–1988 | Pepperdine University, Adjunct Faculty |
1986–1987 | California State University, Fullerton, Distinguished Visiting Artist |
1983, 1985 | The Claremont Graduate School, Visiting Artist |
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